Hirokazu Kore-eda on ‘Shoplifters’ Polemics, Shooting in France
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When Hirokazu Kore-eda returned to the San Sebastian International Film Festival to accept his Donostia Award on September 23rd, it marked a fitting bit of symmetry for a story that began twenty years earlier. In 1998, Kore-eda arrived in San Sebastian a promising young upstart with his second feature, the bittersweet mortality drama “After Life,” playing in competition. A critical […]