Music review: The SCO & Laurence Equilbey, Queen’s Hall, Edinburgh
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THERE were magic moments aplenty in the SCO’s Mendelssohn double-bill, but these were all too fleeting in A Midsummer Night’s Dream. It was an interesting exercise to combine the Overture with the Incidental Music, written 17 years later and not often heard in concert, but it did mean a lot of material was repeated.