Edinburgh International Festival highlights: Martin Creed, Meow Meow’s Little Mermaid and more
When Steven McNicoll’s pompous Jean accuses Robert Jack’s slacker Berenger of being an immigrant in Zinnie Harris’s new translation of Rhinoceros, the atmosphere changes. Literally. Thanks to Chris Davey’s lighting, the white walls of Tom Piper’s set turn from a golden sunburst of Middle Eastern calm into a poisonous pink.