Edinburgh International Film Festival review: The Last Photograph
One might expect a film featuring the 1988 Lockerbie bombing to be a highly emotive viewing experience, but director and star Danny Huston’s The Last Photograph – which had its second EIFF screening at the weekend – takes a deliberately low-key approach to the terrorist atrocity, using it instead as the backdrop to a film about the lingering hold grief exerts upon the bereaved.

